Eight
Days A Week 2004 : Rhinegold Art from Cologne' The Tate
Gallery Liverpool
Artistic Exchange: Liverpool/Cologne
Pete Clarke has exhibited and worked with artists in Cologne. This
is a great opportunity to find out about how artists work and exchange
ideas.
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The
Cologne Scene : Georg Gartz, Museum Ludwig, Cologne Saturday 10 July
2.OOpm
Georg Gartz is an artist and curator based in Cologne and has an in-depth
knowledge of art in the city. Join us as we explore the German equivalent
of Britart.June 12 - August 2004 and Pete Clarke gave a Gallery Talk
to contextualise the recent art from Koln on July 19. and Liverpool
Art School exhibited `Accidental Lines and Red Splashes', Rhinegold
Art from Cologne Artist Talks : £4, £3 concessionsRhinegold
Art from Cologne
12 June - 22 August 2004 Admission Free
It is fifteen years since Tate Liverpool presented the exhibition
Art from Koln. After the fall of the Berlin wall and the shifting
of Germany's creative epicenter to Cologne, it is timely to examine
the city's changing art scene. Cologne and Liverpool have been twinned
for over 50 years and the exhibition is part of the cities' continuing
cultural exchange.
Visual artists have been drawn to the city for decades by its strong
gallery network, museums and collections and Art Cologne, Germany's
most important art fair. Unlike academy cities such as Dusseldorf,
Cologne has never generated a tight-knit community that revolves around
the teachings of a few major artists. Rather, it has attracted individuals
of stature from all over Germany and beyond. The artists based here
have formed a looser and broader kind of alliance - one that is known
in local dialect as a Klungel, an informal network of support between
groups of people with like interests, and one that is shared from
one generation to the next.
Rhinegold: Art from Cologne is the first major representation of Cologne's
contemporary art scene in the UK. The exhibition introduces some of
the most exciting artists to have emerged over the recent years not
only from Cologne but in Germany in general. Artists such as Cosima
von Bonin, Matti Braun, Lothar Hempel and Michael Krebber are juxtaposed
with more established and internationally renowned figures such as
Georg Herold. The exhibition introduces a new generation of young
artists who have made the city their home, including Friedrich Kunath
and Kalin Lindena. Although there is no identifiable `school of Cologne',
the work of these artists has several strands in common other than
their shared geography.
Painting, sculpture, textiles and installations, the artists collectively
employ an explorative and even playful approach to both traditional
and non-art materials - silk, paint, bricks, baking powder and polyester.
Their work is frequently abstract, has an interest in craft and engages
with history. Linked by a strong conceptual drive, their works are
often inquisitive, raising as many questions as they answer: Michael
Krebber's minimalist paintings examine the fundamental roots of the
medium, Matti Braun's textiles critique the impact of one culture's
traditions upon another and von Bonin's witty mixture of abstraction
and needlepoint push the boundaries of what art can be. Exploring
the legacy of their artistic ancestors from German and Abstract Expressionism
to Joseph Beuys, Georg Baselitz and Martin Kippenberger, the artists
in Rhinegold: Art from Cologne revisit and subtly subvert forms and
styles of art throughout the twentieth century.
Rhinegold: Art from Cologne is part of the festival nrw@uk which presents
a wide variety of cultural events from the state of North Rhine-Westphalia
in Britain.
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